Jean-Marc, Tiziano, and Carlo with Mr. B. backstage - meeting for the first time in France, 1976.
Tiziano is dividing his story up into parts....."The First Time..." covers 1976 - their first adventure. The second instalment jumps ahead to 1988.
It was the late summer of 1976 when our friend Jean Marc (Gargiulo) called Carlo (Stevan) to inform him that on November 13th, Harry Belafonte would perform his first of four shows at the Theatre des Champs Elysées, Paris (France).
Carlo made a quick phone call to me and our common friend Nuccio (Isaia), all deep admirers of Harry. We three happily cheered and requested Jean Marc to immediately purchase the tickets, first row, central seats! … We really wanted to make sure we could see Harry Belafonte from a very close position.
Those two months before our travel to Paris passed with us three meeting often, imagining if he would do a show similar to the one recorded at Carnegie Hall. Obviously, it should have been different, too many years had passed since then. But we spent our time listening to the excitement of his “Live” recordings we had: Carnegie Hall – Returns to Carnegie Hall – Greek Theatre – Belafonte Live in Toronto – Live in Tokyo.
When the time to travel arrived, we caught the night train from Torino to Paris, and arrived at the “Gare de Lyon” the next morning at 7 a.m. – There we met Jean Marc, and during that day we convinced him to get his own ticket for the evening show. Jean Marc was not a Belafonte fan and decided to buy the cheapest ticket he could, up in the balcony and really far from the stage. (For completion information’s sake, Jean Marc was and still is the President of the “Elvis Presley Fan Club of France”, the “Treat Me Nice” fan club).
Harry was performing two shows a day, one in the afternoon and another starting 8 p.m. – We had our tickets for the 8 pm show (first row – central seats confirmed!).
Finally we were inside the Theatre sitting with our arms touching the stage, and when the music started, the curtain lifted and Harry Belafonte appeared, walking across the stage, smiling. He was wearing a white shirt with ample sleeves, and a long dark vest and trousers. He made a bow and jumped right intro “Pastures of Plenty,” resonating loud and clear! That was followed by the wonderful “Streets of London”. From that very moment I was sinking deep into Mr. Belafonte’s music world! It was a 20 year-long dream materialized to see Mr. Belafonte in front of us. Naturally his program included his old standards, but also some new numbers (i.e. “How Long Have You Been Blind?”, “New York Taxi”, and many others).
The show was in two parts, about one and a half hours each! Before the end of the first he also introduced Ms Rhetta Hughes who sang “Loving Arms” (which we knew well from Elvis’ version released only one year before).
During the whole show the three of us had been happily singing along, applauding, stomping our feet, shouting with joy like kids -and I was loudly whistling (at that time I could really whistle very loud!). Harry more than once looked at us with an amused smile! Meanwhile Jean Marc slowly worked his way down to an empty seat only a few rows behind us.
Incredibly those three hours felt like they lasted only a few minutes… at least that was our sensation!
Before the curtain closed, Harry came close to the stage edge to shake hands. When he was shaking ours, I asked him to autograph the program’s booklet of that show, and suddenly he replied, “Why don’t you come to meet me backstage”? … We were astonished and as the curtain closed, there were three Italians jumping on the stage and trying to walk across it to get to the backstage!! Yes we really did that! Naturally we were stopped by Security and when we claimed that “Mr. Belafonte asked us to meet him backstage”!!! they showed us which way to properly reach it.
We crossed the closed doors leading to the back and realized that some other people were there, waiting for Mr. Belafonte. We decided to stay a bit far from the group waiting for Harry to remain only with us. We succeeded.
The desired time to get close to him and meet him was there.
Harry was leaning against a wall-mounted radiator and when we reached him, he looked at us exclaiming “You are the three from the first row!” … “Yes, we are” we replied, and a 15-minute conversation started. Nuccio and I we weren’t fluent in English yet, though we could understand him, so most of that conversation was with Carlo. Harry made us feel so comfortable that it was as if we were longtime friends. An amazing human being. Anyhow I do remember that at a certain moment I told him: “Harry, you know that we are almost relatives?”. He looked at me with a questioning expression, so I said, “Your name is Belafonte; mine is Bellagamba; do you know what it means?” … He replied he knew what “Bella” means (beautiful), but not the rest of the name, so I explained that Bellagamba means “beautiful leg”. He had a clear laugh at my words, giving me a hug.
I had my photo camera with me, I took several photos during the show (with no flash!), and we asked Belafonte if we could have a photo memory with him. He immediately agreed and we took two pictures: in one there was Harry, Carlo and Nuccio (I was the photographer) then the second one taken by Nuccio included me on Harry’s right hand, Carlo on his left and half of Jean Marc’s face … he had followed us in.
Those photos are the witness of our first encounter and, it goes without saying, I still have them.
Since then we met Harry Belafonte several other times. It’s only thanks to Carlo’s precise memos that I can now review the full program of that night, as well as all the other concerts we attended. The performances that I’ll always remembered, amongst many, were “A hole in the Bucket” with the great Ms. Falumi Prince, and “Try to Remember” with Arthur Williams.
~ Tiziano, Italy, 2025
Editor’s note: Carlo Steven, Tiziano’s friend, was very much of the glue that held our little group of Mr. B. admirers together. He was a great collector, full of life and kindness. We lost him shortly after Harry died in 2023.
| Bob Friedman | musical director & keyboards |
| Gilbert Silva | guitar |
| Tacredo De Oliveira | guitar |
| Ted Perlman | guitar |
| Donald Moore | bass |
| Michael Tobas | drums |
| Daniel Diaz | percussion |
| Falumi Prince | percussion, vocalist |
| Arthur Williams, Larry Campbell, Melvin Edmondson, Diva Gray, Sue Simmons |
vocalists |
After our first meeting with Harry (Nov. 1976), several others followed.
There could be something to say about each of them, but I don’t want to be boring by repeating myself, so let me talk only about those when something worth sharing happened.
During 1988, Harry was promoting his new record Paradise in Gazankulu, and on February 11th 1988, he appeared as special guest star at the Raffaella Carrà Show on Channel 5 in Cologno Monzese (Milan, Italy). (Raffaella was a famous Italian showgirl well-known in several countries; she also starred with Frank Sinatra in the movie Von Ryan’s Express).
My friend Carlo and I had some connections that allowed us to be invited to attend to the show. It was recorded during the afternoon and the same morning, Carlo, his wife, and I drove to Cologno.
Harry did not know we would be there, and we were worried that we might have not a chance to meet with him. While waiting for the show to start, having a cappuccino in the theatre cafeteria, we met Richard Cummings (Harry’s band leader) and Sharon Brooks (backup vocalist). We kindly asked Richard to inform Harry we were there, and he agreed.
We took our places in our numbered seats, several rows up from the wide TV stage. Harry certainly could not see us way up there. The show started and when it was Harry’s turn to be on, he sang “Kwela” from the Paradise in Gazankulu album. He also sang “The Banana Boat Song (Day-O)”, an improvised duet with Raffaella Carrà. Then they played a pleasant pre-recorded interview, led by Raffaella, taped the previous month or so in Harry’s New York home.
This was followed by a 30 minute intermission.

I was doubtful Richard had the opportunity to inform Harry we were there, so I told Carlo that I wanted to try and find him myself. With the excuse of reaching the restrooms, I moved along the corridors of the dressing rooms as if I were one of the entourage. Suddenly, I saw Harry exiting one of the dressing rooms, wearing a long bathrobe. I was only two meters from him, so with a quiet voice I spoke his name - “Harry!” He turned towards me, and after a second, I saw his big smile and felt his arms around me while saying, “Finally in Italy!” … “Yes, Harry, finally in Italy!” I replied.
We had a short chat and he invited us to meet him after the show.
I happily returned to my seat, informing Carlo that he was waiting for us in the dressing room when the show was over.
The show started againg and Harry sang “Global Carnival” before an additional interview, again led by Raffaella Carrà.
Once the show was over, we walked to the dressing rooms, waiting for Harry to appear. We were in the corridor, and I was leaning against a door jamb when Raffaella came out of her room - next to where I was. She was a very kind person, and when she saw me there she just stopped in front me with a friendly smile, probably assuming I wanted an autograph. I fear I was most rude, because I immediately said “I’m not here for you, I’m waiting for Mr. Belafonte!” … Raffaella’s eyes blinked and she just said “Oh well, ok”… and left.
(Raffaella passed away in 2021 and Carlo asked me then if I regretted having treated her that way.… Yes, I’m sorry. Please forgive me Raffaella).
Well, finally Harry came out from his dressing room and we moved to a small “private room”, with a round table and few chairs to sit and talk. Conversation was mostly about his last record that wasn’t yet out here in Italy, and his forthcoming European Tour, scheduled for Autumn 1988. We would receive all the necessary information about dates and venues of that Tour from his secretary in New York, Mr. Dennis Sopko, with whom we were already in contact.
At a certain moment in the conversation, I remember that I told Harry: “You know, Raffaella has been making duets with many artists, including Ella Fitzgerald. I think she’s very courageous because she’s not a singer and I believe that while singing along with you she was completely out of tune!” Immediately, Harry looked back almost furtively to make sure Raffaella wasn’t there - Then, turning again to me and smiling, he replied: “Yes, you’re right, she was really out of tune!” (Maybe I have to apologize to the late Raffaella for this as well :).
After a chat of no less than half an hour, it was time to leave, but not without our usual photos of the meeting.
Thank You once again, Harry!

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